Last spring, Åsa Söderqvist and Lina Molarin Ericsson of ShitKid voyaged from their homeland of Stockholm, Sweden to perform at the SXSW fes...

The title of Okay Kaya's first album, Both, implied fluidity and multiplicity, themes that are expanded upon further with her latest LP, Wat...

The latest full-length from Montclair, NJ indie band Pinegrove comes with a giant asterisk. At the end of 2017, frontman and primary songwri...

With a voice that evokes an ocean breeze, beats balmier than island sunshine, and keys encompassing both the grit and warmth of beach sand,...

There is so much potential for disaster on posthumous albums. But Circles, the final effort from the deeply missed Mac Miller, sets a new st...

Halsey, like many pop stars, has a specifically crafted persona. Her persona has evolved with each of her concept albums, from the blue-hair...

One reissue at a time, Giuliano Sorgini has been edging into modern music consciousness, thanks to both his ambitious soundtrack work and ou...

Now into his third decade as a composer and experimentalist in the constellation of interconnected musical forms dubbed everything from post...

It's been almost six years since Japanese sonic pathfinders OOIOO released their last record, and almost as long since the passing of the gr...

Having explored, over the years, shades of trip-hop, hip-hop, ambient and very subtle electropop, Arms and Sleepers (Max Lewis and Mirza Ram...

With her psychedelic folk debut, Dublin songwriter Aoife Nessa Frances has crafted an album that sounds like it is floating. Caught in the l...