The idea for All Encores was born before German musician and composer Nils Frahm created the masterpiece All Melody, which arrived in early...

Equal parts an ode to isolation and a lament over endless gentrification, Dead Soft's Big Blue boasts a huge sound from the tiny BC island t...

With their second LP, Halifax's Walrus temper their psychedelic indie rock with an evolved sense of pop melodicism. Structurally tighter and...

Necronomicon have been around an obscenely long time to just be getting noticed now. After forming in 1988, their output was sparse during t...

In the opening chapter of Lizzy Goodman's captivating NYC rock oral history, Meet Me in the Bathroom, she details the tragic tale of a band...

Let this sink in, doubters and dismissers: Third Eye Blind are still making great music in 2019. Far too many casual listeners unfairly lump...

Stop me if you've heard this one before: a singer-songwriter struggles with personal loss and trauma, and then composes an emotionally catha...

Foals offer up the second half of their 2019 double album, following the March release of Everything Not Saved Will Be Lost – Part 1. Part 2...

A debut full-length is a special achievement for any band, but to present one that can stand firm alongside any number of genre stalwarts is...

Californians Ariel View seem determined to take the lingering effects of heartbreak and turn them into a forceful form of healing. Led by si...

Melbourne, Australia's Ali Barter released one of the better '90s alt-rock albums of 2017 with A Suitable Girl; its single, "Girlie Bits," g...