
Meteors Could Come Down, the latest album by long-running Toronto-based duo LAL, is replete with enticing textural, melodic and instrumental...
Meteors Could Come Down, the latest album by long-running Toronto-based duo LAL, is replete with enticing textural, melodic and instrumental...
The OBGMs' version of punk is one of unadulterated confrontation and catharsis, a visceral response to contemporary life, the durability of...
Montreal mid-aughts standouts Plants and Animals used each of their four previous albums to explore diverse, often divergent, sounds and app...
Integrating grunge, noise templates and avant-pop approaches, Good Sad Happy Bad (the new moniker for an updated Micachu and the Shapes, nam...
Jen K. Wilson, a.k.a. Buildings and Food, hones the synth-y instrumentals and avant pop heard on her prior album, 2018's Quick Beat Save. Th...
Dance Music Volume II: More Songs for Slow Motion is a stylistic and visionary expansion on 2014's Dance Music: Songs for Slow Motion. As wi...
With Mama, You Can Bet!, singer and multi-instrumentalist Georgia Anne Muldrow blends the funk, soul, and hip-hop-infused R&B of her eponymo...
With Shutting Down Here, singer-songwriter, composer and former Sonic Youth member Jim O'Rourke elaborates on previous electronic forays, in...
The nine songs on Eight Gates comprise the last batch of recordings made by Jason Molina before his death in 2013. Several of the tracks suc...
Skullcrusher's eponymous debut EP spotlights Helen Ballentine's natural talent as a singer-songwriter, even though the four-song sequence of...
Nicolás Jaar's Telas brings to mind nascent stars and galaxies, protean adaptations, and ever-expanding space. The album's complex design an...